Welcome to my collection of big and small projects.
Feel free to take your time. 

Education & Research Fields of Study : 

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I earned a Bachelor’s degree in Fashion Design from Oslo Metropolitan University (OsloMet), where my final project focused on developing a sustainable business concept within fashion and design. Sustainability and environmental awareness were central throughout the program, alongside both practical and theoretical training in garment construction, pattern making, and technical production methods and solutions. During my studies, I also completed an exchange semester at the University of Technology Queensland (UTQ), Australia, with a focus on sustainable innovation and ideation within an international and interdisciplinary environment.

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I also hold a Bachelor’s degree in Archaeology and Conservation Studies (specialization within Archaeology) from the University of Oslo (UiO). My decision to study archaeology was driven by a desire to understand humans adaption and interaction with nature and its matter/substans through technology, innovation, memory, tradition and landsacpe interactions across time. Archaeology offered a critical framework positioned at the intersection of nature and culture, material and meaning, science and humanities. The study has povided tools to reaserch how this world came to be in both a curious and critical way. This education provided me with foundational knowledge about interactions and understandings of this world—from early human tool-making practices and worldviews to contemporary society and handling future perspectives. 

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Alongside my academic practice, I maintain an intuitive, material- and art-driven exploration through the hobby-based project Annikenovrebo. This work centers arround a constant evolution of finding new solutions to make shape of my ideas. Exploring the opportunities and limitations of tin, iron, and silver, often combined with natural stones and geological forms. The transformation from liquid to solid matter is both conceptually and sensorially compelling to me—it embodies control and transformation, and enables the manifestation of ideas that resist verbal articulation and can only emerge through material experimentation, change, and iterative trials.

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Human–Nature Relations as Practice:

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Nature constitutes my primary source of inspiration, motivation, and critical orientation. Through my studies at UiO, where I completed credits in Cultural History, I gained extensive insight into human–nature relations from a long-term cultural and historical perspective. Alongside an academic deepdive, real experiences (like extensive solo travel, including a semester of solo backpacking across Asia and living and traveling in a van alone through Europe) has profoundly shaped my understanding of - and relationship with - nature.

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My engagement with nature is also embodied in activities such as ice climbing, sport climbing, bouldering, glacier hiking, and winter kayaking. Movement, control, balance, fear management, calmness and chaos, self-doubt and believing in self. Ice climbing, in particular, exemplifies this: the seasonal transformation of a roaring, liquid, uncontrollable waterfall into a solid, climbable structure offers a rare opportunity to encounter nature through shifting states of matter—fluid to fixed, unstable to structured. This material transition directly parallels my interest in form, transformation, and the negotiation between control and surrender. also manifested in my jewlerydesign. 

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Through fieldwork and research as an archaeologist, including expeditions to Svalbard, I have critically observed how nature is often framed as a picturesque backdrop within heritage and environmental management discourse. I am drawn to challenging such representations and exposing underlying paradigms: Can we think differently? Can nature be acknowledged not merely as scenery, but as a co-constitutive force in cultural production, knowledge formation, and future-making?